by Zuleika Bibi Sheik
Of the myriad calls for decolonising—the university, the museum, the curriculum, the mind, and so on—few have given attention to decolonising the self[1]. In my/our process of decolonising the self, poetry[2] has been pivotal in giving name to the nameless, which is dreamed but not yet realised (Lorde 2007, 73). As a black woman/woman of colour, following the pen strokes of Audre Lorde (2007) and Gloria Anzaldúa (1987), who put flesh back into words, poetry is a necessity in decolonising and reconstituting the self. In what follows, I hope to walk with the reader on this path of realising my colonised self, decolonising it through the emergence of the plural self, and the eventual reconstituting of self as a coming to voice (Lorde 2007, 79–86).
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