by Sophie Bergmann
In the last few months a spectre appears to haunt Europe and its cultural institutions, namely museums and their artefacts – it is the spectre of postcolonialism.
The cultural and intellectual structures, that epistemically prepared and justified the occupation of the African continent and the exploitation of its economic and cultural wealth in the past, are now the same that ‘contextualise’ the looting of art during the 18th and 19th century in an attempt to legitimize and perpetuate the composition of Europe’s museums.
The impact of postcolonial thought and theory on power asymmetries will hopefully go beyond the contentual and epistemic orientation of exhibitions in Africa’s and Europe’s museums, and alter the systems of knowledge that have caused colonization, racialisation and discrimination.