by Markus Hallensleben
Being aware that colonization is still ongoing, with my very own presence as a white, privileged settler on the Indigenous lands of the Coast Salish people[1] perpetuating the problem, I have begun to reframe my own teaching and research in literary and cultural studies by decentering discourses of Eurocentric identity and diversity politics. What might be more fruitful instead of taking decolonialization just as a metaphor (Tuck/Yang 2012) within a solely academic social justice approach (Pluckrose/Lindsay 2020), could be an interactive and relational method of knowledge sharing (Baldy 2015; Christensen et al. 2018; Ladner 2018; Smith/Thorson 2019; Watchman et al. 2019) that aims to create an allyship built on reciprocal, responsible, relevant and respectful relationships with Indigenous peoples, their stories and their lands (Kirkness/Barnhardt 1991). Rather than reiterating Eurocentric notions of artwork, authorship, culture, education, text, literature, media, theatre, society and politics, I am looking at Indigenous “Storywork” (Archibald 2008; Archibald et al. 2019) as a collaborative narrative approach to decolonizing knowledge transfer within European Studies.